Sep 4, 2026
Aluminium Sculpture: Lena Yarinkura & Bob Burrawal Lena Yarinkura Born: 1961Language: Kune Bob Burrawal Born: 1952 – 2021Language: Rembarrnga Language Art Centre: Maningrida Arts & Culture Presented in conjunction with Urban Art Projects (UAP), a group...
Sep 4, 2026
Samson Bonson Born: c. 1968Language: Gurrgoni / KuninjkuRegion: Barrihdjowkeng, Arnhem Land, NTArt Centre: Maningrida Arts & Culture Presented in conjunction with Maningrida Arts & Culture, Samson Bonson is featured in Art Leven’s Sydney Contemporary...
Sep 1, 2026
Emily Kame Kngwarreye (Emily Kam Kngwarray) Born: c. 1910–1996Language: AnmatyerrRegion: Alhalker, Utopia, NT At the center of Art Leven’s Sydney Contemporary 2026 presentation at Booth C10 is a significant early painting by Emily Kame Kngwarreye (Emily Kam...
Aug 28, 2026
Featured work: Yipali and Purrukupali, 2026, 166.5 × 90 × 30 cmFinalist – 2026 Wynne Prize Carol Puruntatameri Born: 1959Language: TiwiRegion: Yapalika, Melville Island, NTArt Centre: Munupi Arts & Crafts Presented in conjunction with Munupi Arts &...
Aug 28, 2026
Featured work: Wantili (Warntili, Canning Stock Route Well 25), 2024, 152 × 152 cm – finalist, 2026 Blake Prize. Bugai Whyoulter Born: c. 1939Language: KartujarraRegion: Pukayiyirna, Pilbara, WAArt Centre: Martumili Artists Presented in conjunction with...
Aug 27, 2026
The paintings of Yannima Tommy Watson are built through colour. Dense fields of red, orange, pink, purple, yellow, blue, and white spread across the canvas. Thousands of marks accumulate until individual dots begin to dissolve into a much larger surface. From a...
Aug 26, 2026
The paintings of Uta Uta Tjangala have an unusual energy. Circles, ancestral forms, pathways, dots, and painted lines push across the surface. Early works can feel raw and immediate, with important story elements given greater emphasis than technical refinement. Later...
Aug 25, 2026
The paintings of Turkey Tolson Tjupurrula are built from repetition and control. Parallel lines extend across the canvas. Rectangles create rhythm. Circles and connecting paths organise significant places within Pintupi Country. In later works, the structure can...
Aug 24, 2026
The paintings of Trevor Nickolls are full of collisions. The natural world meets the machine. The city meets Country. Rainbow Serpents move beside factories, television screens, money signs, buildings, and trapped human figures. Dots and cross-hatching appear...
Aug 23, 2026
The photographs of Tracey Moffatt rarely behave like documentary images. A woman waits beside a road. A domestic scene appears frozen at the moment something has gone wrong. Figures pose within landscapes that seem familiar but artificial. Images resemble film stills...
Aug 22, 2026
The paintings of Rover Joolama Thomas changed the visual language of contemporary First Nations art. Large fields of ochre meet dark contours, white dots, and simple geometric forms. A hill may become a single block of colour. A road may cross the surface as a line. A...
Aug 21, 2026
The paintings of Rosella Namok are shaped by movement. Rain moves across the coast. Tides change the beach. Wind presses into the landscape. People gather, talk, hunt, fish, and move through Country. Namok translates these experiences into layered surfaces built from...
Aug 20, 2026
The paintings of Ronnie Tjampitjinpa are defined by clarity. Strong circles sit within broad fields. Parallel lines move across the canvas. Rectangles, bands, and repeated geometric forms connect sites and pathways across Pintupi Country. The compositions can appear...
Aug 19, 2026
The paintings of Rammey Ramsey are maps of Country reduced to their essential elements. Broad areas of ochre establish the ground. Small forms appear like islands of colour. Dark lines travel between them. White dots articulate edges and pathways. A hill, waterhole,...
Aug 18, 2026
The paintings of Prince of Wales (Midpul) are built from rhythm. Dots punctuate the surface. Bars repeat. Geometric forms expand across fields of colour. Some compositions feel almost musical, as though the marks are moving in sequence. These paintings emerged from a...
Aug 17, 2026
The paintings of Poly Ngal are dense with colour. Layers of dots gather across the surface. Yellow, orange, red, white, and deeper earth tones overlap until individual marks become part of a much larger field. At first, the paintings can appear almost atmospheric....
